Painting and drawing in Ty Jouen

A friend's sister and her boyfriend had a fabulous farm in Brittany where they lived a permaculture lifestyle surrounded by animals and organic vegetables. In 1990 group of us went there for a week or so armed with paints and pastels. Here are some of my efforts:

Christmas cards

Last year I made created a photographic montage using images of pubs with a tenuous Christmas theme collected from my pubs set on Flickr.
The card was designed to be a sort of quiz; on the back I invited people to identify the 12 pubs and get back to me by email. I was disappointed that only a handful of friends actually bothered to do this, and I now think most people probably just thought it was shop-bought because it was printed and, to the unobservant, looked like just any other Christmas card.
In the past I made my cards using all sorts of different media; material, glitter, torn paper, even beads and wire, so I can understand why the printed card wasn't really noticed as a 'hand-made' item.
So, as this year I shan't be making any cards at all, I thought it would be nice to display all the ones I have made in previous years.
As you can see there is nothing shown here for 1998. That year wasn't one of my best; the design was a triangle of green fur fabric with glitter glue baubles which looked great during the creative process as the balls of glitter hung in spheres, but as the glue dried they just turned to flat discs.
And I cannot recall or find any reference of what I made in 2007 – I cannot believe that I did nothing at all – if anyone has kept one, please do let me know.
1993 paint splatters using Christmas colours on white paper and gold tissue; 1994 simple computer-generated motifs; 1995 zig-zag machine embroidery using silver thread through two layers of recycled paper; 1996 1995's idea expanded on brown paper; 1997 me in a crown of Christmas lights (hardly anyone recognised that it was me!); 1999 computer-generated typographic design depicting the numbers changing at midnight.
2001 simple glitter glue tree; 2002 holographic red metallic film on hand-made green paper; 2003 filigree paper with glitter glue baubles on dark blue hand-made paper; 2004 machined applique using zig-zag stitching on two pre-embroidered and embellished materials; 2005 crochet tree with glitter glue baubles on white bobbly plastic; 2006 beads threaded onto wire and hung in a window; 2007 photograph of my home-made wall-mounted tree made with garden canes and over-sized lights; 2008 my 12 pubs of Christmas,

Close ups:

Home Sweet Home

Saturday 17th October 2009.
What a lovely way to spend an afternoon; Tracey and I went along to an event at Battersea Arts Centre where we each chose a plot and 'bought' a 200mm cardboard house to go on it, which we then customised using the materials provided.
Had I realised in advance the sort of afternoon that I was in for, I would have planned ahead and taken a few things with me, such a scalpel, and thought of a few ideas in advance. But time was of the essence as both of us had other places to be by 6pm, so I decided to restrict my design using whatever I could find inside three magazines. I relocated and replaced the windows and doors, added a stained glass window on one side and a bit of trompe on the other. The whole thing was then finished off with sedum roofs and gardens made of soft furnishings.
Tracey's house, across the street (which I named Makepiece Road) had wood panelling made from pegs, insulated roof tiles, an iridescent pink frontage and a huge bit of modern art in the back garden.
Had either of us looked into it a bit more before showing up we would have found out that being as it was the last day it was going on into the evening and a 'street party' was planned where all participants could be return to meet their neighbours and collect their houses. How frustrating! I'll definitely be going to the next one.
More pics of the event here and info here & here.

Willy warmers and Durex wool

I was taught to crochet at the age of 7 or 8 by my Nana and the dinner lady at school. I knew that to start you had to create a little chain stitch loop and then make 12 treble crochets into that loop. But I hadn't sussed out how to then make the regular increases which result in a big flat circle or square.
So, depending on the thickness of the yarn and the size of the needles, what I managed to produce was a range of what I called 'purses', complete with drawstring tops, which I gave out as presents. The ones shown here are not originals; I made them last week to illustrate my point as both are created with the same 6mm hook.
Anyway, Mum used to tell me a story that on one afternoon Nana and I were crocheting away, and Nana showed off her latest design using gold metallic yarn which she mistakenly referred to as 'Durex wool'. And sat at her feet was a little girl making willy warmers. Ah bless.
Once I had worked out how to do the increases there was no stopping me. Here is my school photo aged almost 9. The photographer commented that he liked my tank top. I was so pleased with myself and blurted out "I made it!!" You can see the precociousness (or is it smugness?) written all over my smirky tight-lipped smile.
Everything in that photo is home-made; Mum made that shirt and together we made the bobble hair thingies.

Survivors

Unbelieveable... but these are the only janeknittedthis items that I can find in my wardrobe. All were made between 1994 and 1996. After that I became interested in needlepoint and then had a new home to decorate, curtains to make, walls to paint etc. Apart from the odd small thing for for friends' kids, the knitting needles haven't been used much since.

Painting holiday in Dolceaqua

Two weeks in beautiful Northern Italy in 1993 with some lovely people from Kensington and Chelsea Art School, generally having fun with paint, paper, pastels, pencils and potato peel (really; I thought it might add texture, but it didn't really work). I loved it there, and I produced a prolific plethora of pictoral panoramas and portraits. And here's me pontificating at my crit.
Back in Engand, we put on a show, so I had many of my efforts framed. Of the ones shown below, sad to report that a couple of them were stolen from the school, probably for the frames, rather than the subject matter, so it's a good job that I managed to take photos of them. Ah well. I managed to sell 4 others though. And the 3 that are my favourite ones hang on my walls at home.

Gone but not forgotten

It is just plain ridiculous not how many things I have knitted over the years, but how many things I have thrown out or recycled. By that I mean some wool might start out as a lacy jumper and then, perhaps 3 years later I'd get fed up with it, unpick it and turn it into a fitted cardigan. And more often than not there are no photographic records of them.
The list includes a long pale mauve basket-weave V-neck which was the first thing I ever knitted, a green leaf-stitch V-neck which was a re-hash of a crocheted jumper I made when I was about 15, a Shetland-style design with colourful patterned yoke, a navy aran jumper, a fitted jumper with 7 different horizontal stripes, a soft pale yellow cotton jumper, a loosely-knitted mohair fisherman's rib scarf, a cream+beige+red assymetrical design, a pale dusty pink sleeveless top and a petrol blue mohair jumper with placket front and collar.
There were also the things I made for other people; a lacy cotton cable top for my sister and black mohair jumpers for a couple of her friends, presents for boyfriends such as a long sleeved cotton rib tops and aran jumpers, and gloves and scarfs.
In the 80s I used to knit on the train and tube on the way back and forth to work... you don't see anyone doing that now. I even used to knit in my lunchtimes!
And at one point I used up a lot of my spare wool making cute little stripey jumpers for noone in particular and then, after they were sitting around taking up (a small amount of) space, I had one of my clear-outs and stupidly gave them all to charity!
Anyway, some other items did make it into onto film:

Row 1 (the '80s): Simple red garter stitch sleeveless top (my boyfriend at the time loved this so much that he asked me to make him a blue one!); simple flowers design around the yoke of a cream jumper (the wool for this one is rehashed in the second pic of the next row); pink cardigan with diminishing stripes; cotton stripey top sleeveless top with polo neck; simple sleeveless top; plain black version of stripey top (I made the jeans too!); my favourite aran jumper.
Row 2 ('85-'97): My sis calls this my Gary Numan jumper; big cream and black squares jumper using wool unpicked and knitted together from 2 others; rust cable jumper; fisherman's rib 'granddad' cardi; thick grey aran cardi (in a previous life this used to be an aran jumper).

Crochet hats

A few years back I noticed a lot of crocheted hats being sold. And my internal "I could do that!" voice kicked in.
The one top left is made out of 2 metre lengths of garden raffia bought from Homebase for something like £3.50. The crocheting only took about 25% of the total time to make it; it was the weaving in of all the overlapped loose ends that took the bulk of the time. But I was really proud of the end result and it has been on many holidays with me. It went all floppy after I dropped in in the sea but recently I sussed out how restore some rigidity to the brim by painting it with clear polyurethane varnish, which means it's sort of collapsible like a gentleman's top hat.
The two brown hats are made out of brown bias binding. I can't recall how mum ended up with so much of the stuff, but hey. The hat at the bottom was made using a really big hook and the top one was achieved by cutting the binding vertically to make it half as thick, and therefore easier to work with.
And finally, there's a pic of my friend's daughter sporting a small orange cotton number.
If only I had still had the beret-style hats I made when I was about 10...

My ball bag

Or, to be more precise, my woods carrier.
In September 2007 I started playing bowls. Flat not crown. Up at Highgate. It's lovely up there, like a set for a Agatha Christie novel.
Bowls is a great game and and a lovely way to pass a Summer's afternoon. One of the most amusing things about the game are the highly amusing double-entendres uttered by players, such as "nice wood", "good length", "what hand shall I come in?" etc. Ooer Missus.
I kept meaning to buy a carrier for my woods and then hit on the brilliant idea to crochet one. I haven't bowled at all this year and I completely forgot to take some shots of it with woods in it as it looked really good when the coloured rings that indicate the weighted sides on the woods were lined up on the 'nippes' of the ball sacks. Oh how we tittered. (Tittered!).
But just as amusing is this pic of my sister modelling it like some kind of saggy-breasted beast of mythology.

Paper mosaics

Ah Gaudi... inspired by a trip to Barcelona in 1993, I came back with the urge to smash up tiles and crockery and create a similar Park Güell effect in the bathroom of my old flat. I started gathering old plates etc from car boot sales and then hit on the idea of creating the same effect with paper using cuttings from magazines and bits of scrap paper, and then giving it a few layers of clear polyurethane varnish (what a stink!). It took ages to complete. 
Chopped up and hidden in amongst all these fragments are posters of Redon's 'Ophelia Among the Flowers'*, Matisse's 'Dancers' and a Cezanne landscape. Looking at it now, it's all a bit wild and mad. I preferred the panel I created on the wall behined the toilet which was a much more simple effect, starting with dark blue at the top fading to cream at the bottom – it is just visible here at the far right. But I can't seem to find a pic of just that bit alone. Shame.
At a later date I created a 2-sided table-top in the same way, using off-cuts from a job I was doing. I loved the texture and colours and so made a fishy thing on one side and a swirly pattern on the other. 

*if you look at this painting you can see that it was originally a picture of a vase of flowers; he turned the canvas 90º anti-clockwise

Life Drawing

I recently I came upon this old A4 sketchbook from when I used to go to life drawing in the late '80s and early '90s. It wasn't a class as such, as there was no actual tutor; we all just chipped in with suggestions for the models, and the poses ranged from 5 to 25 mins. These are from 3 different evenings using a range of different media including charcoal, pastels, conté crayon, pencil, even thick gold pen (top left). Sometimes I enjoyed it there, but towards the end I was getting bored as I felt I needed some kind of direction. Hence I went less and less until I completely forgot about going altogether. I've many more good examples created on those evenings, and at spin-off groups, in an old art bag in the cupboard which I should dig out when I have a moment. Many are large format paint sketches. I often wonder if I should find another class near home and see if I am still as good...!

Elbow and Etch-A-Sketch

You know when you've liked a band for ages and then they go and win some awards and you have mixed feelings. That's happened to me with Elbow. It's hard to do the right be happy that they are (finally) doing so well, when I really want to sulk because everyone and his ugly mother has jumped on the bandwagon. But hey, it's not about me. This week they won two Ivor Novello awards, for best song (One Day Like This) and best contemporary song (Grounds For Divorce). I am so pleased for them (really, I am).
Anyway, it reminded me that, last year, when I first bought and played the Seldom Seen  Kid, the album those songs are on, I wrote this on my new Etch-A-Sketch. Also shown is a portrait. I am now trying to master etching-a-sketching the perfect circle, which is very difficult; small ones are easy but anything larger than a 2p piece is tough.

Necklaces

Every now and then I get an urge to make a necklace. Some are made out of beads and broken jewellery that I have had lurking about for years, and some are created using semi-precious stones bought specifically for the purpose. But the necklaces that get the most attention that are the ones made from throwaway stuff like silver paper wrappers from mini chocolate eggs (top right). At the moment I am thinking up an idea using lots of different coloured shirt buttons, so watch this space.

Needlepoint

A few years back I got into needlepoint. But I didn't like all the kits that were available. They were a bit too sew-by-numbers for me. So I started by just testing out ideas in squares and that became the 'mosaic' cushion here on the left. I would do a few squares (each square would take 1-2 hours depending on the design) and then forget about it for a few weeks. In the end, including stretching it back to square and sewing it into a zipped cushion, it took me 9 months to finish! I went on to create others including this simpler design, right, but I haven't done any needlepoint for about 6 years now... perhaps I should...

Scarf city

This is what set me off on this 'Jane Made This' blog... I'd washed some of my scarves and draped them over a red towel to dry and I thought how nice they looked. Two balls of nice wool, one or two evenings watching the TV and ta-da!